A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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Agnes Koska Biography: Not
Submitted
e-mail: koskakoska@hotmail.com
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Title: Koskastudio http://links.virose.pt/01/projects/koskastudio Synopsis: Research of the advantages of new technologies provided on the internet, by showing them through a flash intro belonging to a design company. |
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Aleksandra Globokar & Jaka Zeleznikar Biography: Aleksandra
Globokar is an architect and her interests are split between real
and virtual. In reality she\'s interested in interior design working
as an interior decorator. Besides ASCII-TECTURE and CYBERVILLA, she relised one smaller project CYBER-NEOLITHIC E-CARDS and together with Jaka Zeleznikar the on-line project MANTA. Taking part at several festivals, workshops and exhibitions; VRML-ART 2000 (USA), \"theLOUNGE\" workshop at Net Condition exhibition of ZKM DE), CYNETart 2000 (DE), \"EMAF 01\", European Media Art Festival (DE), Media Forum 2001 (RU), JAVAMUSEUM (DE), FILE 2001 (BR) ... Jaka Zeleznikar, born
in 1971 in Ljubljana, Slovenia. e-mail:
jaka@jaka.org |
Title: Manta Synopsis: Hart of the project is local, Manta search engine. There are no links between different contents of manta. User can never know how much (multimedia) content there is in Manta or what the structure and relationships betven content is. It's up to user to explore the dream like narative about the see and the island with the Manta search engine. Some parts of manta are very hard to find.
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Andreas Schimanski, Angelika Middendorf & Norma Jeane Biography: Not Submitted e-mail: mail@schimanski.net
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Title: LOGO-N Synopsis: LOGO-N
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Andy Cox Biography: Together We
Can Defeat Capitalism raises questions about early 21st Century
capitalism and has some fun too. e-mail: andycox@twcdc.com
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Title: Citibank
Global Domination http://www.citibank-clobal-domination.com Synopsis: Clone of Citibank's web site, produced in collaboration with the Rain Forest Action Network's Global Day of Action against Citibank. The site is fully operative (users can open real Citibank accounts, etc), but hidden links take users to information about Citibank\'s funding of projects that destroy the environment, predatory lending, money laundering, etc. The site was covered by the New York Times, Financial Section. |
| Annie Pui Ling Lok
& Michael Szpakowski
Mike- 24 years as a composer ,educator and recently,multimedia artist. e-mail: mikeandannie@somedancersandmusicians.com
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Title: \'paintingXnumbers\' Synopsis: \'paintingXnumbers\'
was commissioned by epping forest arts |
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Antonio Mendoza Biography: Antonio Mendoza, the son of Cuban exiles, was born in Miami, Florida. He was raised in Madrid, Spain. In 1983 he received a degree in Semiotics from Brown University. In the fall of that year he moved to Los Angeles where he hoped to land a job in the film industry. Instead, he landed on a friend\'s couch and decided that a career as an artist was more his calling. Eighteen years later, he still lives in L.A. with his wife, two children and five working computers. His art work ranges from classically inspired oil paintings to digital collages, lenticular images, video projections and interactive web pages. He has shown his digital and analog work in galleries in galleries and museums in Los Angels, San Diego, New York, Las Vegas, Houston, Zurich, Frankfurt, Sao Paulo, Seville and Madrid. His work has been reviewed by Artforum, New York Post, Glue, Wired, Axcess Magazine, Newsweek, Los Angeles Times, and several other cyber magazines. e-mail: elvision@mayhem.net |
Title: www.subculture.com Synopsis: www.subculture.com
is like the autistic web paradise, full of information but stuck
in annoyingly repetitive patterns. it\'s alternatively simple and
complicated, discouraging and enticing, enchanting and annoying,
beautiful and ugly, pointless and meaningful, organized and chaotic.
Some pages are like epileptic web seizures: loud, retinal and disturbing,
with data behaving in ways it shouldn't be behaving. Others spew
out recycled sexual iconography like the surrealist collage machine.
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Armelle Aulestia Biography: Armelle Aulestia
is an artist living and working in Paris. e-mail: armelle@aulestia.net
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Title: Enregistrer1 Synopsis: This piece
functions on the rhythmic alternation of that which appears and
that which diseappears. Enregistrer1 is elaborated on the idea of unrolling and on the pleasure of sliding, of visual and resonant wavering, the game of the compulsive gesture that starts the circle/cycleof repetition, of the loop again, indefinitely free from alteration of meaning.
Title 2: Automatique Synopsis: keywords: audio,
automatic, language.
Title 3: Les Details Synopsis: keywords: audio,
language, animation.
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Artistas de la Nada Biography: In 1999 they created the portal Artistas de la Nada, where they begin to publish their net.art works devised for the web, digitized analogical developments and investigation works. They develop and publish in the web "desrumbo ? version 0.0" Laboratory of artistic experimentation. The portal Artistas de la Nada is invited to participate at <Cordoba Audiovisual \'99. Festival de Artes y Medios Digitales>, carried out in the city of Cordoba, Argentina. The net.art work <ELLA.Para la RecuperaciÛn MÌstica de Buenos Aires> by Daniel Micaelli is selected in <Buenos Aires Video XI>. 2000 In September Roberto Miranda had presented the portal Artistas de la Nada and the site dedicated to Macedonio Fern·ndez in the "Feria del Libro" de la Ciudad de Cordoba, Argentina, inside the official programming of the Agency Cordoba Culture S.E.. The net.art work <EL
OTRO. Visionaria> by Daniel Micaelli participated in August at
"2ª Jornadas de Artes y Medios Digitales" carried
out in the city of CÛrdoba, Argentina and in the "Prix
Ars Electronica2, carried out in September in the city of Linz,
Austria. In the month of March they publish <desrumbo ? version 1.0>, Laboratory of artistic experimentation.The portal Artistas de la Nada is invited to participate at "3ª Jornadas de Artes y Medios Digitales", carried out in the city of Cordoba, Argentina [www.doble-vinculo]. e-mail: micaelli@daniel.net.ar |
Title: [ adln ] Synopsis: Artistas de la Nada is an independent group of artists, specialists and investigators on Art. Their projects and net.art works are characterized to combine tools and digital means with the traditional or analogical.
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Bodo Lehn Biography: Please look at MY LIFE on www.bodoartwork.de e-mail: bodo@bodoartwork.de
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Title: www.bodoartwork.de Synopsis: Please look at GUIDE on www.bodoartwork.de |
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Brian Mackern
e-mail: vibri@internet.com.uy
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Title: no-content.org Synopsis: Reflections
about links to content/no-content. |
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Calin Man Biography: education: Timisoara University B.A. in literature;
exhibitions [selection]: 2000 ISEA 2000 revelation, Bookmark scene, Forum des Images, Paris; NETMAGE first international festival on media, arts and communication, Bologna; INFOS 2000 (off-line) \"net.art\" contest, Ljubljana (second prize);29th Montreal International Festival of new Cinema & new Media; VIPER International Festival for Film Video and New Media, Basel; FILE Sao Paulo (second place); Digital/Electronic Art Exhibition, Gertrude Posel Gallery, Johannesburg, South Africa; Video Lisboa, cd-rom exhibition, Lisboa; Through the Looking Glass, Beachwood Center for the Arts, Beachwood, Ohio; 1999 Art on the Net 1999 Machida City Museum of Graphic Arts Tokyo; 4th Graz Biennial on Media + Architecture; VIPER International Festival for Film Video and New Media, Lucerne; After the Wall, Moderna Museet Stockholm; 28th Montreal International Festival of new Cinema & new Media; Centenary Dream CG Grand Prix 99 in Aizu, Japan; Contact Zones: The Art of the cd-rom, Cornell University, New York;WRO\'99 Media Art Biennale, Wroclaw; 2nd International Show of Art in cd-rom, MECAD, Barcelona; 1998 European Media Art Festival, Osnabr¸ck; ISEA 98 revolution, Liverpool; 1997 OSTranenie, Bauhaus institute, Dessau; European Media Art
Festival, Osnabr¸ck; 1995 Retrospect Kinema Ikon, Centre G.
Pompidou Paris; Biennial of Mur! 1994 Sao Paulo Biennial e-mail: revoltaire@go.ro
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Title: Esoth Eric http://www.v2.nl/esoth-eric Synopsis: the project Esoth Eric has been developed on a given
equation that has 1, 0 or -1 as a result. applied to the life and
work of an imaginary character from reVoltaire archive, to any other
author, to the archive itself, the equation develops and reveals
a new work. the equation can be solved linearly or randomly in three
distinctive ways [off-line & on-line]:
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| Carlo Zanni a.k.a. beta
TIRANA, Tirana Biennial LOS ANGELES, Electronic Orphanage NEW YORK, FUN ****2000**** ****1999**** |
Title: New New Portrait Synopsis: your face: a link. \"The link is a reload of Fontana\'s cut, it is the third
dimension of the word. The word iconized itself and loses the intrinsic
and deep value. It is not important the linked word, but the address
where the word is linked.\" C.Zanni* PLEASE READ the full texts:
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| Christa Erickson
Biography: Christa Erickson is an interdisciplinary artist and
writer who e-mail: Christa.Erickson@sunysb.edu
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Title: Learning Distance Synopsis: In an era of increasing communications and globalization we are all attempting to relearn spatial politics. A collapse of time and space causes some borders to blur and others to be drawn more clearly. Dispersal for various reasons makes many long for a nostalgic home that no longer exists or may never have existed. Differences in point of view come to the fore. Shared events, experienced or seen through media, connect people in strange and difficult ways. Privacy has disappeared. \"Learning Distance\" is my attempt to broach this subject. It references a childhood game; hopscotch, which is played around the world from Thailand to Argentina. It is an exhuberent dance. We are all children attempting to make sense of change. Hopscotch began as childhood mimicry of Roman soldiers in Britain and thus perhaps has an uncomfortable relationship to colonial occupation. It is also a game with a minimal sense of competition. Winning comes through keeping your balance, not stepping across the lines, and ultimately not falling. The piece has two manifestations: a shockwave webpage and a more animated projector file that can be projected on a gallery/exhibition floor. Both utilize perl scripts on my server that record images from webcams at regular intervals, capturing patterns of movement from different parts of the world (on streets and highways and via airplanes and boats). Sometimes cultural differences are clearly visible. Sometimes the patterns look similar. Obviously there are no such cameras in many places. The piece randomly selects from 15 cameras on 5 continents. It also selects from 15 words that resonate in real and virtual spaces: public, private, community, home, site, border, distance, link, speed, connection, memory, shared, difference, and perspective
Title 2: Mnemonic Devices Synopsis: MNEMONIC DEVICES is an installation with three components: a web-based scavenger-hunt game, an interactive seesaw video switcher, and a kinetic video sculpture. Its website includes the webgame component and documentation of the installation. Photographs, home movies, and today\'s digital media inform the way we remember and interact with one another. They extend and even become our memories. MNEMONIC DEVICES attempts to pose questions about patterns of memory and interaction, contrasting electronic technologies to age-old bodily methods. What is enabled and what is lost? MNEMONIC DEVICES explores these questions in an installation that resembles a media saturated playground. The web-game examines the collective \"memory\" of the web. It is a scavenger hunt game through the Internet using your favorite search engine to find items related to \"memory,\" \"connection,\" and corporate use of these themes. Two web stations (laptops on opposite ends of a table that resembles the seesaw) allow people to play the game with each other or with people in remote locations. The game is played in pairs. The most prominent component of the installation, a twelve-foot seesaw, literally requires two peoples\' participation. Remember the hard fall to the ground when your partner dropped you long ago? The consequences are different when your online partner drops you. Or are they? The seesaw acts like a giant video switcher: the way the participants \"play\" determines the sequence, direction, and speed of images projected on an adjacent screen. To echo the visual and conceptual qualities of the other pieces,
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| Christian Barre
Biography: Have shown recently with \"Le mois de la photo\"
in the subway. As shown in many galleries for ten years then decided
to work on problems relative to social changes... Country: Canada
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Title: refléchir par hasard, pour un espace public agile Synopsis: The work has been done in three steps.. First one has been to find people living in the streets and ask them to \"claps\" in their hands in front of the camera. You have to understand that in Quebec people applause for almost anything....they are a good \"public\". The second steps has be to develop a relation with part 1 of the work and to present it on the web, in a \"designed fashion\" way. You have to understand that i don\'t think that people on the street should be put apart of are esthetics dilema... they have ideas very close to ours about society. The third steps was to confront the \"others.\" Here i decided to stick with magnet on luxury car mini-cds containing the video. |
| Dagmar Kase
1.cooperative project(video-text-sound) with A.Rishaug and P.Helguera,festival\"Interstanding\",Tallinn,Estonia e-mail: dagmarkase@yahoo.com |
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| Dane
Biography: I trained in 16mm animation, which was OK until I discovered the potential of database forms, so I threw away my scissors and started experimenting with simultaneous animated events; of which \'him\' has been the most successful, published in http://www.eastgate.com reading room, shortlisted for the Eliterature 2001 poetry awards and screened at the Boston CyberArts LiteShow. e-mail: dane@comfylux.net
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Title: them Synopsis: "them" is a catalogue of data retrieval objects. Someone, somewhere maybe watching you but there is also someone somewhere else who is colour coding all the information and ordering the stationery. The conceptual aims were to create a narrative in database form and experiment with simultaneous events that are autonomous within the overall story. "them" is an experiment with the potential of interactivity in animation. The viewer clicks the arrow on the extreme of the database interface to load a new animated object into the room. Each of these objects has different levels of interaction for the user to explore. The animations are meant to simulate phyiscal onbjects and the user has to discover how to interact with them. If you see no object other than number 11 then the time spent clicking the link will have been worthwhile. The table falls onto the floor and turns into a pile of sheets which you can interact with as they fold into paper objects. |
| Daniel Young
Biography: Artist and inventor, living and working in New York
City.
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Title: NewZoid Synopsis: NewZoid is a work of generative art. It constantly and
automatically collects news headlines on the Internet, breaks them
into pieces and reassembles them into false headlines whose content
is usually absurd, amusing and thought-provoking. NewZoid is an
antidote to the overdose of news and information that threatens
to overwhelm natural human perception and communication. |
| Deena Larsen & Geoffrey Gatza Biography: An electronic media junkie for over a decade, Deena Larsen has tried everything to relieve the cravings for new forms of literature which let her go out of the lines. She has led treatment programs such as hypertext writing workshops and bimonthlyElectronic Literature chats. Unfortunately, these have only fueled her uncontrollable desires for complex structures of meaning. She sought her vices in the Woodstock of e-poetry conferences, where addictive thoughts about alternative ways to shape words and create new contexts flowed freely. There in the late night coffee dens, she met Geoffrey Gatza and convinced him that this trip would be an easy one. She promised to reform. No complexity, no hidden meanings--just a smooth flashy ride. She lied. For three years, Geoffrey Gatza strove to resuscitate the dead art of poetry and to maintain “the sublime” in the old sense. The age demanded an image and Deena Larsen offered him a blazing electronic diadem. A seemingly innocent excursion from the usual drug hazed nights of a jazz lit town. Wrong from the start–but he trusted her dark junky eyes. Her complexes struck power chords within his orthodox non-Euclidean being, within his ideals of free poetry. As they wrote, moments landed on top of other moments, and the whole became itself a moment–on top of still other co-existing as and as-nots–not in a jumble per se, but as “e” as “e:electron”. Geoffrey Gatza is also the author of Cool Whip: a documentary poem of the supermarket. Check out BlazeVOX2k1 at www.vorplesword.com. e-mail: textra@chisp.net |
Title: E: Electron http://www.daemen.edu/pages/ggatza/electron/ Synopsis: E: electron is a three-dimensional word poem, based on the structure and conventions of the periodic table of elements. Each part of this complex work embodies aspects of atomic structure as its metaphorical skeleton. The periodic table of elements The periodic table is used as a structural metaphor to recount a life spent with a lover. As each element has an additional electron, each day in a love affair has an additional memory. An overall view of these stages, the table of elements itself, presents a double acrostic poem. We see the valancees of the orbital shell as analogies to the stages in a love affair–and each phase is represented by a separate picture. Clicking on any element in the table provides a word-poem that corresponds to that atom\'s structure of electrons. A simple atom like hydrogen has only one electron--only one memory attached to the initial orbits or phases. A complex element like radium has 89 electrons in seven orbits or phases–89 memories just under the surface. Poly-linear valances is a polyphonic chorus that underlies the
work. It is set in seven valances, one for each of the seven orbital
energy levels electrons can occupy. The work melds lecture and conjecture
to ponder the underlying relationships between humans and atomic
structure.
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| Dellbrugge & de Moll Biography: Christiane Dellbrugge 1961 born in Moline, USA, Ralf de Moll 1961 born in Saarlouis. Cooperate since 1984. Live in Berlin. Selected Exhibitions Selected Works e-mail: modell@demodell.de
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Title: Copenhagen Substitute http://copenhagen-substitute.homepage.dk Synopsis: Copenhagen Substitute is an art in public space project and conceived as a tower with seven levels. The first level is dedicated to the house as a cell of human dwelling. In the public park of level 2 you may discover 14 different city-models. Meet the data-bodies of our inhabitants on the agora of level three. The consulting room of level four offers talks with specialists about the functioning of a city, footballstadions, the internet as a club and the ambivalent position of a state-approved curator for art in public space. A substitute also contains the imagination of its original ñ in the auditorium of level five you may create your own sound environment. On level six the path of the philosopher awaits you for a chat. When you have reached the top on level seven, enjoy the view into open cosmic space, the perspective of travels to the moon, colonies in space and the sound of the harmony of spheres.
Title 2: How do you feel? |
| Diogo Terroso
His research has been focus into the overlapping relations of New
Science and Web Design, studying aspects of biology, artificial
life and chaos theory to create web environments.
e-mail: dterroso@hotmail.com
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Title: TRANS-KP
http: www.d-srupt.com Synopsis: TRANS-KP is an experimental online interface that uses evolutionary and feedback procedures, in order to explore new forms of interaction between users and users, users and data. It consists of a spatial multi-user environment, deploying three
dimensionality as a dynamical system and rejecting its use as a
simple mirror of reality. Since time and net data as features of
the model, \"form becomes hybrid\". This project follows a research regarding the merging of new science
and web design. The aim was to identify within new science (complexity
theory, dynamical living systems, cognitive sciences, and computational
science) principles that could unfold new conceptual and structural
development for online interfaces. |
| Dirk J. Platzek & Han Gene Paik
Biography: Han Gene Paik is an artist who resides and works in New York City. He was born in US and raised in Korea. He came to New York in 1997 and completed his MFA degree in Design and Technology at Parsons School of Design, New York in 2000. When making artifacts, Han Gene still hopes to retain the \"classical scorns\" of the artists toward the present society. He is currently working on a retro-archetype of computing machines for his next work. His work was recently shown at the Aronson Gallery in New York City. Dirk J. Platzek was born and raised in Germany and moved to New York City in 1987 to further pursue his career as a modern dancer. For the past 5 years he has created new media content and digital art. He received an MFA from the Parsons School of Design in May of 2000. His thesis work investigated the force of wishmaking and desire upon the universe and culminated in the digital urban wishing well \"Wunschfeld.\" Wunschfeld is also the name of a team of artist collaborators, which includes Johanne Fiebelkorn, Germany. Country: USA
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Title: GuerrilloBoard http:// www.wunschfeld.net/labo Synopsis: Numbed by new technologies like Narcissus in the Greek myth, we tend to forget that it is the age of consciousness of the unconscious. Whether the numbness is a psychological self-protection or it is the same old hypnosis by the capitalist consumerism, the answer lies in the task of conscious awareness of the changes in our subliminal life, private and social, caused by the new technologies that constantly reshape our socio-political landscapes. This project presents an alternative way of using wireless technology to express individual opinions toward the public. Using cell phones and other handheld devices that are meant to enhance \"private\" communications, participants instead publicize their opinions on a censor-free message board installed in a \"public\" space. This conversion of a \"private-to-private\" communication to a \"private-to-public\", or an abrupt linking of the two psychological spaces along with its unexpected exposure to a physical space, enable an anarchistic messaging, a noise, that somehow needs to be justified in the expanding public arena of the electronic age. The board draws messages in a graffiti-like way. With its metaphorical and aesthetic reference to the traditional urban graffiti, it solicits people to leave marks on the surface. Using a variety of available display devices from large projections to LED billboards to small flat panel monitors, the board is installed in a specific site and locates a target for users to send their messages to. Like guerillas situated in an urban environment, participants then \'bomb\' on the target from virtually anywhere and at anytime through their small private gadgets. The project provides a unique chance to see how the authorities
will react to the situation and how differently they would react
from a similar situation in the virtual public domain. As controversial
as it might turn out, this happening, particularly with relation
to the physicality of where it happens, will provide another perspective
to the current discourses on the expanding public domain and its
political possibilities and limits. |
| Dora Garcia
Biography: Dora García e-mail: dora.garcia@pophost.eunet.be
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Title: Inserts in Real Time |
| Doron Golan
Biography: http://www.computerfinearts.com/doron/ e-mail: computer@computerfinearts.com
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Title: treetrunk Synopsis:
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Eduardo Sousa Biography: Not Submitted
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Title: Genera http://www.asseptic.org/lab/five-k/genera http://www.asseptic.org Synopsis: Trata-se de um pequeno exemplo de \'arte generativa\', isto È, gerada por computador com resultados aleatÛrios. … um projecto minimalista na concepÁ"o, tendo sido inicialmente concebido para um concurso de webdesign em cujos projectos estavam limitados a um tamanho màximo de 5120 bytes (5KB). O utilizador pode instruir o computador para \'criar uma obra\' a partir de um entre seis pequenos elementos, linhas, \'tijolos\' ou \'gotas\'. |
| Ehren Fordyce Biography: I teach directing and contemporary performance at Stanford University e-mail: ehren_fordyce@hotmail.com |
Title: The Stag and the Owl http://www.stanford.edu/~fordyce/animations/stagandowl.htm Synopsis: This is a fable in the tradition of Perrault. |
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Eldar Karhalev
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Title:
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| Eva Poku
Exhibitions: -1993.may Fluxus Concert, participation, Budapest e-mail: kisseva@c3.hu |
Title: Theological Models http://www.a-m.hu/evapoku/en/ Synopsis: Theological models
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| Fenollabbate
Biography: Fred Fenollabbate is artist, performer, Web master of Multimedia art center Le Metafort (Aubervilliers, France), he teaches web art on the faculty of The Department of Photographie and MultimÈdia, University Paris XIII (France). He creates many multimedia works and performances (as IJ†: Internet J) which are visible on its own sites: www.multiface.net and www.neurosex.com, and on other sites: dream-escape.org (music) chairetmetal (Ollivier Dyens), SÈance díecoute, etc, he takes part in many multimedia festival (Sound-Space, Netart00,INFO 2000 Ljubljana, Interferences,SEAFair99 Skopje Electronic arts fair, FILE2001...). e-mail: fred@multiface.net
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Title: Neurosex http://www.neurosex.com/feelit/ http://www.neurosex.com/lesavoir Synopsis: NeuroSex works on the old layers of our sub-conscious, and created an envelope propitious for the liberation of what we call archaism, but which founds all relationship , and here the other reveals itself as animal>>human>>computer but not inevitably in this sense.
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| Fernando Agullo Dura
Biography: architec, mentions in some architectural competitions
collaborator at mr37(experimental house designed by alfons soldevila) e-mail: f_agullo@hotmail.com
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Title: LRM/41.22.28/2.11.21/ http://????? Synopsis: LRM is a kind of light and space modulator that uses as a basis the MR37 house prototype, and can be manipulated and programmed from a workstation, remote or not. A system of devices with centralised monitoring (video projectors, groups of spotlights, sound equipment, etc.) assembled inside and outside the MR37, allows a person with a certain degree of previous knowledge to manipulate them as if LRM were a common tool. The net of devices works as a data input/output system for MAX/MSD/NATO.
LRM has four workstations. A local net, an ethernet, connects the
workstations with all the input/output devices and enables their
operators to share information among them or with other units through
the net. The Web works as a mobile workstation. The incoming signal
from the net can be channelled to any of the projection areas. The
information flow works in both directions: the transmission in real
time through the net permits the user to react sending images, sound
or any MAX/MSP/NATO diagram at that very moment. Several weeks before
the project takes place, its website will provide access to a test
version and user guidelines that will enable both the uninitiated
and the habitual users of MAX/MSP/NATO to experiment and actively
participate in the project. The environment MAX/MSD/NATO not only allows this permeability to be physical, but to exist in the information flow too: data collected by the device system are incorporated as parameters when generating video or audio. For instance, the sound or vibration of the plastic floor caused by a dance group inside MR37 can control the speed or intensity of the image projected from a workstation. The spatial character of this experience makes it different from
other experiments which just work with video and audio improvisations. |
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| Gary skinner
Biography: http://www.geocities.com/ellisrichard_2000/Biography.html e-mail: skinnergary@hotmail.com
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Title: 8mm a New Internet gallery Synopsis: A virtual internet fine art project |
| Geza Nyiry
Biography: 1971 Born in Budapest, Hungary e-mail: nyiry@hotmail.com |
Title: facefetish http:// www.c3.hu/~nyiry Synopsis: I have cut off the heads of the female sex photos, that
were loaded down from the internet, than cut the heads into halfs
and with this process I got 220 half heads. They are mixed and put
together randomly.
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| Gruppo A12, Udo Noll, Peter Scupelli
Biography: Gruppo A12 is a collective of architects, founded in
1993 and active in the fields of architecture, art and new media. Peter Scupelli is an architect, currently researching at Carnegie Mellon University. Gruppo A12 won in 2000 the SonderPreis at the MedienKunstPreis at ZKM, Karlsruhe.
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Title: Parole Synopsis: parole is a dynamic dictionary of the contemporary city
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| Gustavo Romano
Biography: Gustavo Romano is an artist who works in a variety of
media including video, installations, multimedia, web projects. e-mail: gusrom@findelmundo.com.ar |
Title: Hyperbody http:// www.findelmundo.com.ar/romano Synopsis: Hyperbody Hyperbody, “the ultimate guide to find around all the net anything about the human body...”, is an Internet Directory, which offers up to the minute listings of websites whose names (URLs) refer to the different parts of the human body.
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| Helen Whitehead
e-mail: helen.whitehead@ntu.ac.uk
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Title: Web, Warp & Weft Synopsis: Web Warp and Weft is a website that links the making of textiles and the making of the Web. There are many textile metaphors that we use for creating the Web: weaving the Web and threads of discussions or a thread of hypertext narrative are just two. Words like colour, print, frame, layer and technology have meaning in both spheres of interest. The website links the past (the Luddites) and present, links the
two industries, textile and dot.com (both experiencing difficulties),
and links the stories of people all over the world who have found
a resopnance between working on the Web and working in textiles.
Created by Helen Whitehead with the support of the Year of the
Artist and trAce Online Writing Centre. |
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Ian David Aronson Biography: Aronson graduated from Before graduate school, e-mail: ian@digitaldocumentary.org
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Title: Brown, an online documentary http://www.digitaldocumentary.org/brown http://www.digitaldocumentary.org/ Synopsis: Brown is an online documentary that uses still photos and audio interviews to profile a young bi-racial couple raising their first child. By combining a series of candid and intimate photos with discussions of race, tolerance, and family Brown examines not only cultural identity but the merging of identities and backgrounds into a multi-cultural family relationship. This audio based online project introduces us to Sheryl, a bi-racial woman, and her husband Alex who is Italian American. The couple tells us that not only do they work hard to create a supportive environment in which their four-year-old son AJ can form his own identity, but they strive to ensure his self image is not formed in terms of black or white but in terms of brown. Sheryl tells AJ that everyone comes from brown, and that some people are light brown and others are darker. Her own identity is based on a love of both her Irish American father and her African American Mother. \"They both came together and created me,\" she says, \"you don\'t have to be put into some little group.\"
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| Igor Zlobec & Goran Radevski
Biography: IGOR ZLOBEC e-mail: support@zlobecsport-amateurs.com
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Title: ZlobecsportAMATEURS http://www.zlobecsport-amateurs.com Synopsis: aberration - a departure from rational thought or behavior. It means basically to err, to make mistakes, or more specifically to have fixed ideas which are not true. The word is also used in its scientific sense. It means departure from a straight line. If a line should go from A to B, then if it is aberrated it would go from A to some other point, to some other point, to some other point, to some other point, to some other point, and finally arrive at B. Taken in this sense, it would also mean the lack of straightness or to see crookedly as, for example, a man sees a horse but thinks he sees an elephant. Aberrated conduct would be wrong conduct, or conduct not supported by reason. Aberration is opposed to sanity, which would be its opposite. dwindling spiral - a condition characterized by continuous worsening, decreasing or shrinking. enturbulence - turbulence or agitation and disturbance. exteriorization - the state of the theta2 being outside his body with or without full perception, but still able to control and handle the body. When a person goes exterior, he achieves a certainty that he is himself and not his body grant beingness - to let someone else be what he is. Listening to what someone has to say and taking care to understand them, being courteous, refraining from needless criticism, expressing admiration or affinity are examples of the actions of someone who can grant others beingness int - short for interiorization, the action of going into something too fixedly and becoming part of it too fixedly. invalidate - refute, degrade, discredit or deny something someone else considers to be fact. mental image pictures - three-dimensional pictures which are continuously made by the mind, moment by moment, containing color, sound and smell, as well as other perceptions. They also include the conclusions or speculations of the individual. Mental image pictures are composed of energy, have mass, exist in space and follow definite routines of behavior, the most interesting of which is the fact that they appear when somebody thinks of something. objectives - a condition when person look or place his attention outward from himself. operating theta2 - a state of being above body, in which the body has become refamiliarized with his native capabilities overt - a harmful act or a transgression against the moral code of a group. When a person does something that is contrary to the moral code he has agreed to, or when he omits to do something that he should have done per that moral code, he has committed an overt. An overt violates what was agreed upon. An overt can be intentional or unintentional. pan-determined - able to view both sides. Pan-determinism is across determinism or determinism of two sides. If a person were playing both sides of a chess game, he would be exercising pan-determinism perceptic - any sense message such as sight, sound, smell, etc. reactive mind - that part of the mind which works on a totally stimulus-response basis, which is not under a personís volitional control, and which exerts force and the power of command over his awareness, purposes, thoughts, body and actions reality - that which appears to be. Reality is fundamentally agreement ó what we agree to be real is real. theta - energy peculiar to life which acts upon material in the physical universe and animates it, mobilizes it and changes it; natural creative energy of a being which he is free to direct toward survival goals. The term comes from the Greek letter theta (), which the Greeks used to represent thought. theta2 - the theta2 is the person himself, not his body or his name or the physical universe, his mind or anything else. It is that which is aware of being aware; the identity which is the individual. theta3 unmock - become nothing, disappear, cease to exist. withhold - an overt a person has committed but is not talking about; an unspoken, unannounced transgression against a moral code by which a person was bound. Any withhold comes after an overt |
| Julia Vècsei
Biography: Educations> 1996-2001 Hungarian Academy of Fine Arts
Intermedia Department, Budapest. Exhibitions> 1998 Inter/Media/Art,
Ernst Museum, BP.; 1999 Alibi Fashion, TrafÛ, BP.; 2000 INTERMEDIA/KHM,
Academy of Media Arts, Cologne, Overstolzenhaus; Aritmia, I.C.A.Duna?jv·ros e-mail: rub@c3.hu |
Title: Juligraph http:// www.c3.hu/~rub Synopsis: With the Juligraph, you can assemble your own graphics from the pictures I have drawn of personal things: me, my friends, animals, my surroundings and the objects around me. You can print the compiled, signed, titled picture. The Juligraph has a personal aspect not only because it is about me and my way of life, but because I could choose the details important to me, and anything can be come of it. |
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Jeannette Lambert Biography: Montreal web artist Jeannette Lambert began using internet creatively five years ago, when she kept an award-winning journal online. Since then she has produced a series of internet films and web art projects which have been exhibited in Japan, Australia, Austria, the USA, Canada, France and Holland. Her work includes \"One Night in Greenwich Village\", featuring streaming audio sounds from the streets of New York, and \"Sunset on St-Viateur\", a internet film project focussing on a street corner in Montreal. Her latest work is an autobiographical web cinema project entitled \"Where are you from?\". It is inspired by concepts of identity, heredity and geography. She incorporates original music, poetry, photography and film in her web art projects. Recently her work has been featured at Adobe Online, CBC\'s 120seconds.com,
and Ars Electronica. She studied film at York University in Toronto,
Canada . Her background as a professional jazz vocalist inspired
her to create a website for women in jazz, Jazz Grrls. links at:
Http://www.nette.ca e-mail: nette@nette.ca |
Title: where are you from? d\'o? viens-tu? Synopsis: Jeannette Lambert\'s \"Where are you from? is a
conceptual web art project that combines internet films with hypertext
web pages. The small screen size of an internet film is suggestive
of peeping through a keyhole, a kind of cyberspace voyeurism. The
abstract movement created by streaming video compression is reminiscent
of the ethereal quality of memory and dreams. These internet films
explore concepts of space (private/public), geography, heredity
and identity within virtual worlds. Here are three answers to the
question of the title, at once autobiographical, impressionistic
and lyrical.
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| Jennifer Brown
Biography: See http://www.interartiface.com/jenbrown.html e-mail: jbrown@scu.edu.au
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Title: 2 pieces: \'flight\' and \'u and i\' http://www.interartiface.com/mouthworks/flight.html http://www.interartiface.com/mouthworks/ui.html Synopsis: The works use electronically processed sounds of the
artist\'s voice activated by mouse clicks from the \'user\' or audience
to build up multilayered audio-visual pieces that can never be played
the same twice over. The theme of \'Flight\' is the ongoing oscillation
in life between getting caught in obsessive loops of thought and
then escaping into lines of flight. The themes of \'U and I\' is
the tensions and flows between the array of consonant and dissonant
voices through which we swim in everyday life. |
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| Jody Bielun
Biography: Jody Bielun studies architecture and has a Bachelor\'s degree in Environmental Studies (Pre-Professional Architecture) from the University of Waterloo in Ontario. She grew up in the Okanagan Valley in British Columbia and recently moved to Montreal. She enjoys experimenting in a variety of media, including photography, installations, light sculpture, fashion, and multimedia. A recurring theme in her work is the exploration of the connections between nature, technology, the body, and architecture. Her work has been exhibited in Mexico, Italy, New York, and Montreal. \"transmute\" is her first project for the web using Flash animation e-mail: cocoongirl@yahoo.com
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Title: transmute http:// www.hybrid-space.com/transmute Synopsis: \"transmute\" is a series of short animations exploring transformation, mutation, and shifting identities. As a starting point, phrases suggesting change were selected from Virginia Wolfe\'s novel, \"The Waves\". Then short animations were created where people and things transform in dream-like slow motion. This work looks at the difference between \"transformation\"
and \"mutation\". Both words refer to a change occurring
over time, but \"mutation\" tends to refer to a sudden,
abnormal modification that is often viewed as negative. In this
series of animations, there are objects and shapes that transform
into one another slowly over time. One animation is a \"mutant\".
With a loud, abrupt change it interrupts |
| Jonah Brucker-Cohen
Biography: Jonah Brucker-Cohen received a MPS from the Interactive Telecommunications Program at New York University, NYC and currently works there as a Research Fellow. He is also a freelance writer for WIRED Magazine, I.D. Magazine, Print Magazine, Time Out New York, an Internet columnist at Magnet Magazine, and was chosen as a nominating judge for the 2000-2001 Webby Awards. His work includes Site-Traffic (http://www.site-traffic.net), an Internet-controlled remote sequencer project that allows people online to compose songs and send them to a physical device where people in a space can play back the songs and communicate to online users as well as a domain name-generating Slot Machine called \"IPO Madness\". This year he won the 2001 International Browserday (http://www.browserday.com) with his project, ìCrank the Webî. His work has been shown both in the US and Internationally at events such as SIGGRAPH 2000, VRML-Art 99, F.I.L.E. festival in Brazil, Nordic Interacti!ve Conference (ElectroHype) festival in Copenhagen, European Media Arts Festival in Germany, 8th Annual New York Digital Salon in NYC and Spain, Soundtoys.net,and other festivals. This fall he will start work as a Research Fellow at the MIT Media Lab Europe in Dublin, Ireland. e-mail: jonah@coin-operated.com
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Title: MyFaces http://www.coin-operated.com/myfaces http://www.coin-operated.com/livewindow Synopsis:
Title 2: CRANK THE WEB
The idea behind Crank the Web is to combine ancient forms of automation with today\'s digital telecommunications technology. All bandwidth should be free and everyone should have access to the fastest speed connection. It is up to you to physically crank your bandwidth so that your internet connnection will rely on your personal strength, not personal wealth. Users type in a URL on the screen and hit ENTER and a blank IE or Netscape page appears. The page they entered is read into a buffer and using the crank, they send a bit of data at a time to the computer which then unloads the buffer (containing text, images, animation, sound, etc..) into the open window. The page loads according to how fast they turn the crank. There is an indication on screen of the approximate bandwidth speed they are cranking. |
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José Vieira Biography: e-mail: vieira62@hotmail.com |
Title: embrionar http://www.geocities.com/soho/museum/4925/index.htm Synopsis: Projecto artístico em torno do desenvolvimento
embrionário humano.
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| Judson Wright
e-mail: judson@plasmastudii.org |
Title: paint http://plasmastudii.org/paint.paint.html Synopsis: In this interactive synaesthetic piece, you are the painter
determining the arrangement of the aural/music by composing the
visual/hues on a canvas. Your hestures integrate the graphic and
music.
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| Juliana Sato Yamashita
Biography: My name is Juliana Sato Yamashita: I was born in Sao Paulo state, in 1978. I entered the School of Architecture and Urbanism of the University of Sao Paulo in 1996, but very early decided to work with graphic and web design. After taking a Brazilian fellowship to study history of art, and a summer course at Parsons School of Design (NYC), my interest in web art and web design grew. \"Urban Fragments\", my final undergraduate project, is the result of my interests in architecture, urbanism and new media. Since the beginning of this year I\'ve been working on different versions of \"Urban Fragments\", using sound and video. The video version was recently selected to the \"Minute Festival\" (internet category), and the website version of \"Urban Fragments\" was selected to the \"13th Videobrasil\", (new media category) e-mail: jusy@uol.com.br |
Title: Urban Fragments http://sites.uol.com.br/sunaoy/urbanfragments Synopsis: Urban Fragments was made after my final undergraduate
project for the School of Architecture and Urbanism of the University
of S"o Paulo. The main purpose of this web site is to help
the user to construct new ways of seeing the city of S"o Paulo
through verses of Fernando Pessoa, multimedia and interactivity.
By the users interaction, different combinations of images, sounds
and texts are made to question the stereotype images of the city,
and help the user to experience it as an eternal discovery. The
idea is to stimulate the user to play as a poet, both verbally and
visually, and reflect about the city of São Paulo, trying
to create a more personal involvement with it.
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| Jurgen Trautwein
Biography: 1984 -90 studied at academie of art berlin e-mail: jtwine@jtwine.com
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Title: Pure Heart Art http://www.jtwine.com/default0801.html http://www.jtwine.com/indexblue.htm Synopsis: critical reflections on contemporary issues
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| Karla Ptacek
Biography: Karla Ptacek performed for two decades on Off-Off Broadway, where she also wrote and directed a trilogy of interactive plays that pit the vagaries of live performance against recorded text. Ptacek\'s \'Uncontrollablement\'s\' was staged at The Kitchen, NY, and is currently being staged as a webplay at www.artificialstage.com. Ptacek is a recipient of a 3-year British Academy grant to persue a practise-based doctorate in digital performance, London, UK. e-mail: you@artificialstage.com |
Title: Uncontrollablelements Synopsis: "Uncontrollablelements" England, October 1957, in a home outside of the Windscale Nuclear processing plant, housewife Edith Thornton is bombarded by broadcasts from a non-existent radio: a malignant working class soap opera that seems to predict her own demise, and several heavily censored news/history programmes. As nucelar waste drifts down over central England, Edith struggles to find the radio and turn it off... |
| Kestutis Andrasiunas - |{.f|.
Biography: born 1973. e-mail: ke_an@o-o.lt
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Title: 3IP http://3.o-o.lt Synopsis: 3IP was being developed as a project for the IP addresses
to three dimensional shapes conversion. The aim is to create and
visualize digitally distorted mirror space of the internet numbering
system, machine to machine and human to machine connections. Where
abstract numbers obtain organic outlook. IP address is being taken
as a seed for the iteration, translation and size. |
| llll-llll-llll.com
Biography: l-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lll-lll-lll-lll-lll-lll-lll-lll-lll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-lllllll-lllllll-lllllll-lllllll-lllllll-llllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llll-llll-llll-llll-llll-llll-llll-llll-llll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-lllllll-lllllll-lllllll-lllllll-lllllll-! e-mail: llll_llll_lll8@hotmail.com
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Title: lll-llll-llll.com http://llll-llll-llll.com Synopsis: l-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lll-lll-lll-lll-lll-lll-lll-lll-lll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-lllllll-lllllll-lllllll-lllllll-lllllll-llllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-lllllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llllllllll-llll-llll-llll-llll-llll-llll-llll-llll-llll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-lllllllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-llllll-lllllll-lllllll-lllllll-lllllll-lllllll-l! |
| Low-Fi
Biography: low-fi is an artist collective consisting of: Luci Eyers,
Alex Kent, Pierre le Gonidec, Anna Kari, Guilhem Alandry, Ryan Johnston.
Individually our practice covers art, independent publication, photography,
design and net art. geographically the project is developed remotely
between UK, France and Canada. e-mail: giraffe@easynet.co.uk |
Title: low-fi locator http://www.low-fi.org.uk Synopsis: low-fi have developed a dynamic database of current and past net art projects with an additional curatorial layer of selected lists. Artists are able to create links to their projects/sites/netcasts directly from low-fi locator, making it a useful tool for disseminating information about net based activities. The system was constructed using a system of links in order to give it enough flexibility to show projects which mutate and grow and also include time specific events.
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| Manuel Granja Monteiro & Paulo Henrique
Biography: Manuel Granja e-mail: cwts@mac.com
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Title: Contract with the Skin http://homepage.mac.com/cwts Synopsis: In "Contract with The Skin", the synthesis
of the collaborative images, sounds, and some artistic concepts
around the idea of skin: elasticity, envelopment, sexuality, identity,
create a new space by the use of the creative possibilities of the
internet, returning to the cybernaut an interactive register and
a specific vision of texts, graphics, images, different from the
original project format (stage multimedia movement based piece),
creating a parallel and flexible identity in other space and time
structure; making to emerge and to underline new qualities that
contain one another sensitivity. |
| Mark Daggett
Biography: Mark Daggett is an artist and designer living in Los Angeles, California. He has actively developed Flavored Thunder (www.flavoredthunder.com) for the past five years as a series of on-going experiments relating to the new media \"life-style\". His work has been displayed at: \"Ex~Voto: mapping the heart\" (30th International Filmfestival of Rotterdam), DOMUS, ZKM, ProteinÉ Network, Rhizome, 1998 Prix Ars Electronica and Web Monkey. He has also developed games and DVD\'s for major motion pictures including \"The Matrix\", \"Proof Of Life\", \"The Exorcist\" and \"Chicken Run\". Mark has a MFA in new media from UCSD and a BFA in film and video from KCAI. e-mail: archive_ftm@hotmail.com
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Title: DeskSwap http://www.deskSwap.com http://www.flavoredthunder.com Synopsis: DeskSwap is a multi-user screensaver that swaps images
of the user\'s desktop with others using the screensaver. When the
user stops using their computer, DeskSwap starts as a normal screensaver.
It quickly takes a snapshot of the user\'s screen and uploads it
to the DeskSwap server. Yet since screensavers only become active
during periods of inactivity, DeskSwap catches candid images of
the user\'s desktop. |
| Maya Kalogera
Biography: Maya Kalogera is an interdisciplinary artist, working
in the e-mail: maya@kalogera.com
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Title: \"Le voyage imaginaire\" http://www.kalogera.com Synopsis: When we first think of voyage, it is usually as a spatial
phenomenon, as a being-on-some-place. The figures that come to mind
are themselves primarily spatial: whether of contiguity or of distance,
of place or of displacement. In this sense, voyage generates its
own geography of what Foucault called heterotopias, \'other spaces\',
that are at once real places and yet unreal to the extent that they
exist outside all other places in society. |
| Mez Breeze
e-mail: netwurker@hotkey.net.au
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Title 1: _The Data][h!][bleeding T.ex][e][ts_ http://netwurkerz.de/mez/datableed/complete Synopsis:TheData][h!][bleedingT.ex][e][ts_ http://netwurkerz.de/mez/datableed/complete
some of The Texts are presented via a flash3 format, which require the flash plugin. go here if you haven\'t already got a flash plugin installed. Please do not use netscape 6 to view these texts. also, have the sound turned up! .the texts that have been chosen 4 n.clusion r only a very small portion of a large body of my online work that has been evolving over a period of 6 years. this work reworks many of my email list texts archived @ the mo[ve.men]tion site. .be a][h!][ware that the texts make use of the polysemic language
system termed _mezangelle_, which evolved/s from multifarious email
exchanges, computer code flavoured language and net iconographs.
To _mezangelle_ means to take words/wordstrings/sentences and alter
them in such a way as to extend and enhance meaning beyond the predicted
or the expected. It\'s similar to making \"plain\" text
hypertextual via the arrangement and dissection of words. Mezangelling
attempts to expand traditional text parameters through layered/alternative
meanings embedded in language, with notions of language play and
identity swapping being the key to comprehension; Various fiction
avatars have been used in the construction of these texts, &
they shift through many incarnations such as data[h!bleeder, ms
post modemism, mezflesque.exe, ova.kill, net.w][ho][urker, Purrsonal
Areah Netwurker, etc.
Title 2: mo[ve.men]tion Biography: MEZ [Mary-Anne Breeze] has been progressively described
as one of \"the original net.artists\" who is \"...without
doubt one of the most consistent, prolific, innovative artists working
in new media today. Mez\'s work with language has had a considerable
effect on the language of many.\". The impact of her unique
net.wurks [constructed via her pioneering net.language \"mezangelle\"]
has been parallelled with the work of Shakespeare, James Joyce,
Emily Dickinson, and e.e. cummings. Since 1995, she has exhibited
extensively via the internet and in \"realtime\" [e.g
CTHEORY\'s Digital Dirt, Prague\'s Goethe Institute, Digitarts \'96,
Experimenta Media Arts, ISEA_97 Chicago, ARS Electronica_97, trAce,
The Metropolitan Museum Tokyo, SIGGRAPH_99&00, d>Art 00&01
and_hybrid<life>forms_01]. Mez is also a virtual conference
jillaroo, co-moderator of the Webartery Mailing list and freelance
journalist. She is the 2001 Resident Artist at the WCG, has been
awarded the 2001 VIF Prize by the Humboldt-Universitat in Berlin,
was Synopsis: mo[ve.men]tion is a site devoted to the push and pull
of new media and avatar/collaborative layering via a networked medium,
and has functioned as a \"holding point\" for this work
since 1995. The emphasis of the site revolves around my polysemic
language system termed _mezangelle_, which evolved/s from multifarious
email exchanges, computer code flavoured language and net iconographs.
To _mezangelle_ means to take words/wordstrings/sentences and alter
them in such a way as to extend and enhance meaning beyond the predicted
or the expected. It\'s similar to making \"plain\" text
hypertextual via the arrangement and dissection of words. Mezangelling
attempts to expand traditional text parameters through layered/alternative
meanings embedded into meta-phonetic renderings of language. Notions
of language play and identity swapping are essential to the site\'s
maintenance; my fiction avatars shift through various incarnations
such as data[h!bleeder, ms post modemism, ! mezflesque.exe, Purrsonal
Areah Netwurker, etc.
Title 3: ][select][Text Synopsis: ][selec][text documents rite][ual][s of passage thru
stylistically driven e-communication. It is also a writing crË][ative][che,
1 that reveals & critiques the very mechanism/form][s][ that
it m.mploys in order to exist. |
| Michael Mandiberg
Biography: Michael Mandiberg is a conceptual artist who uses the net to explore identity, labor, and commerce. His most recent project, the twin sites AfterWalkerEvans.com and AfterSherrieLevine.com are a new media response to Sherrie Levine\'s mechanical works of art in our age of digital reproduction. The site contains hi-resolution images for download, complete with certificates of authenticity to be signed by the user. His ongoing Project, Shop Mandiberg (www.Mandiberg.com), is a fully functional e-commerce web site that markets and sells every last one of his personal possessions. Shop Mandiberg was recently nominated as a finalist for the \\\\international media\\art award 2001 at the ZKM. He is represented by the Michele Thursz Gallery in New York. e-mail: Michael@Mandiberg.com
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Title: AfterSherrieLevine.com http://www.AfterWalkerEvans.com http://www.AfterSherrieLevine.com Synopsis: In 1936, Walker Evans photographed the Burroughs, a family of sharecroppers in Depression era Alabama. In 1979, Sherrie Levine rephotographed Walker Evans\' photographs from the monograph First and Last. In 2001, Michael Mandiberg scanned these same photographs, publishing them on the Web sites AfterWalkerEvans.com and AfterSherrieLevine.com ó virtual galleries designed to facilitate the dissemination of these images as part of a commentary on how we arrive at information in this burgeoning digital age. On AfterWalkerEvans.com you will find a browsable selection of these images, links to the high-resolution exhibition-quality images available for download and print-out, along with a certificate of authenticity for each image (that you print out and sign yourself) and, finally, directions on how to frame the image so that it will fulfill the requirements of the certificate. By making the image\'s URL its title ó the image above is Untitled (AfterWalkerEvans.com/1.jpg) ó the images can be easily located and downloaded by anyone. By distributing the images online with certificates of authenticity, the images can be owned by anyone. Unlike the work of the late Felix Gonzalez-Torres ó known for his spills of candy and stacks of paper from which the viewer can take a piece ó Mandiberg\'s certificates are used to insure that each satellite image be considered equally authentic. In the work of Gonzalez-Torres the sole certificate of authenticity, and thus, the right to reproduce the work, is sold like a traditional art object. Mandiberg\'s work assumes an explicit strategy to create a physical object with cultural value, but little or no economic value.
Title 2: AfterWalkerEvans.com Synopsis: In 1936, Walker Evans photographed the Burroughs, a family of sharecroppers in Depression era Alabama. In 1979, Sherrie Levine rephotographed Walker Evans\' photographs from the monograph First and Last. In 2001, Michael Mandiberg scanned these same photographs, publishing them on the Web sites AfterWalkerEvans.com and AfterSherrieLevine.com ó virtual galleries designed to facilitate the dissemination of these images as part of a commentary on how we arrive at information in this burgeoning digital age. On AfterWalkerEvans.com you will find a browsable selection of these images, links to the high-resolution exhibition-quality images available for download and print-out, along with a certificate of authenticity for each image (that you print out and sign yourself) and, finally, directions on how to frame the image so that it will fulfill the requirements of the certificate. By making the image\'s URL its title ó the image above is
Untitled (AfterWalkerEvans.com/1.jpg) ó the images can be
easily located and downloaded by anyone. By distributing the images
online with certificates of authenticity, the images can be owned
by anyone. Unlike the work of the late Felix Gonzalez-Torres ó
known for his spills of candy and stacks of paper from which the
viewer can take a piece ó Mandiberg\'s certificates are used
to insure that each satellite image be considered equally authentic.
In the work of Gonzalez-Torres the sole certificate of authenticity,
and thus, the right to reproduce the work, is sold like a traditional
art object. Mandiberg\'s work assumes an explicit strategy to create
a physical object with cultural value, but little or no economic
value. |
| Monica Biagioli and Salome Voegelin
Biography: Monica Biagioli is an artist, art writer, and lecturer of multimedia graphic design. Her work spans the gamut of hardware components transformed into softground etchings, chatroom confessionals unmasked by webcam surveillance, the halls of an abandoned warehouse transformed by uv pigment dot drawings on clear plastic, and, currently, streamed video made mobile via an undulating balloon. Salomé Voegelin is a practicing artist and writer, currently
researching for a P.hD. in Fine Art at Goldsmith College, University
of London. She also presently teaches on the Sonic Arts courses
at Middlesex University and the London College of Printing. In her
studio practice, the artist involves still images and text as well
as time-based visual and sonic material. The focus is on the intersections,
where the materials -visual and sonic- rub and in this friction
propose an expression that confuses the perception. Her audio CDs
and experimental radio plays promote a visceral interaction. Whilst
her real and virtual installations challenge preconceived ideas
about reality and materiality. e-mail: biagioli@freeuk.com
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Title: docked URL1: URL2: Synopsis: Here we have a game about links. Well, really, we have the game rules, but not the actual game. Our game has moving animations, hit counters, even colorful postcards to send to friends. It has suspense and an element of discovery. It travels through the limitless net but has a finite ending. The one thing our game doesn\'t have is a programmer. And so, our piece highlights what is usually hidden on the web. Behind the images, text, and sounds on websites there is an endless stream of 0\'s and 1\'s. The link between the two is the programmer, and it is to him/her that our game is dedicated.
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| Monica Jacobo
Biography: MÛnica Jacobo is a visual artist and graphic designer,
she is being working in the boundaries of art and technology since
1995. Her works have been in many important museums and cultural
centers of Argentine and Latin America. e-mail: monijacobo@hotmail.com
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Title: BIOevents http:// www.bioevents.20m.com Synopsis: Agreing with Deleuze, the revolution of simulacrum is to introduce a break in the ontologicals classicals distinctions between essence and appearance, original and copy , true and false, natural and artificial. At BIOevents, organics shapes in a latent state, remains in the webspace until carried by an interactor intervention, put in action an image poetic-visual repertory, which exists like dinamics entities in constantly metamorphosis. Flow from manipulation, their beauty rely in their morphogenesis: the viewer becomes co-creator. BIO prefix which means life, is the main subject where scripts which simulate it were developed around. Organisms react in an enviroment in real time, the main catalyst ( the events produced by the mouse cursor as participant representation) is the outbreak of the work course. Diferents living beings are identified by their own characteristics; even an external factor modifies some of them: the flow of time, constantly changes their color through the day making a kind of mixed reality between the web and physical space, highlighting a virtual reality illusion on the viewers, debating the bounds between the natural and the artificial. Deleuze, Gilles: Lógica do sentido; San Pablo, Perspectiva,
1975. |
| MTAA with P. Erl ( AKA Alex Galloway )
Biography: MTAA (M. River & T. Whid Art Associates) is a Brooklyn,
New York-based conceptual and net art collaboration. MTAA is also
a real-time performance played out on the Internet, in physical
installations, Alex Galloway is Director of Content & Technology at Rhizome.org,
a leading online platform for new media art. Alex has created several
computer art projects including the networked screen saver Every
Image. He is currently working on a web-based artwork called Carnivore--after
the FBI software of the same name--that uses packet-sniffing technologies
to create e-mail: mriver@mteww.com |
Title: On Karara Update http://rhizome.org/spalsh Synopsis: MTAA\'s On Karara Update is a splash page for Rhizome.org that automates the logic and process of the conceptual artist On Karwara within the internet. Each day, a unique page is generated that shows the current date. As one scrolls over the date, three news headlines are reveled. The head line are gather each day by an Info-Bot from on line new sources. Also reveled beneath the date is the continuing growing archive of each date/page. Along with the headlines and the archive, a semi-fictional context/narrative is presented by the artist. The On Karara Update, begun in 2001, will continue generating new pages into the future without a foreseeable end.
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| Nino Rodriguez
Biography: You can find a complete biography of myself at: http://www.pobox.com/~nino/bio.html e-mail: nino@pobox.com
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Title: Portrait of the Artist as a Home Page http://www.geocities.com/portraitoftheartistasahomepage/ Synopsis: \"Portrait of the Artist as a Home Page\" captures the easy and often naive narcissism of the internet. The project is a distillation and examination of the \"home page\" archetype. In keeping with the spirit of linkage and strange links, nearly all images are pulled directly from the original home pages of the people pictured. \"Portrait...\" serves as a snapshot of the way people desperately try to connect.
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| Petra Solange Farinha
Biography: Multimedia Designer e-mail: petrafarinha@hotmail.com
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Title: User_Trace http: Synopsis: User_trace is a webart project that reflects and mirrors the user navigation in a 3d enviroment, where the user can visualize his navigation, the webpages that he visite and the struture of that webpages. |
| Philip Pocock
Biography: collaborating networker beginning with faxmodem work
\'black sea diary\' 1993; onto the www with \'arctic circle\' http://www.dom.de/acircle
1995; \'tropic of cancer\' 1996: \'a description of the equator
and some ¯therlands\' documenta x 1997; \'h|u|m|b|o|t 1999
- 2004\'. e-mail: philip.pocock@t-online.de
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Title: h|u|m|b|o|t http://www.humbot.org http://aporee.org/equator Synopsis: h|u|m|b|o|t is a 5-year collaborative net-based cybercinema
\'remapping\' south america and ¯therwhere taking alexander
von humboldt\'s landmark travel to the new continent exactly 200
years ago. |
| R2 design
Biography: Algumas exposições e distinções 2001 2000 1999 1998 1997 email: liza@rdois.com |
Title: untitled_02 http:// www.rdois.com Synopsis: Untitled_02
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| Restate
Biography: elegant.
e-mail: restate@restate.org
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Title: restate/callaps Synnopsis: http://www.restate.org
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| Roman Minaev
Biography: 27th October 1970 born in St. Petersburg/Russia. 1996-1998 Christian-Albrechts University, department of sinology, Kiel/Germany. 1998-1999 The National Academy of Fine Arts, department of chinese calligraphy, Hangzhou/China. Since 2000 Net-art lectureship at the Muthesius Academy of Architecture, Design and Fine Arts, Kiel/Germany. e-mail: www@trashconnection.com
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Title: trashconnection http://www.trashconnection.com http://trashconnection.com Synopsis: The original idea of the trashconnection is the definition
of trash online. Everybody, who is just surfing around the net,
has to confront with always appearing advertising banners, icons
or trademarks. By mirroring them with the permanent addresses in
the HTML-code on the web, the direct connection is created. The
current appearance of such banners depends alone on the initiator.
This process lends an incontestable actuality to the entire work,
until all the segments resolve in the internet. Furthermore the Trashconnection shows digital creations of net-art. |
| Sachiko Hayashi
Biography: SACHIKO HAYASHI EDUCATION 1998 - 1999 Postgraduate Studies (Computer Arts), Royal University College of Fine Arts, Stockholm 1996 - 1997 Postgraduate Studies (MA with Merit in Design and Digital
Media), 1981 - 1987 BA in International and Cultural Studies, Tsuda College, Tokyo (1984-1985 Attendence at International Graduate School, the University of Stockholm)
1992 Rixgalleriet (installation), Linkˆping, Sweden
1997 Nordisk Konstfilm Triennal (video), Kalmar Konstmuseum, Kalmar, Sweden
2000 -2001 îGenbild< >Genklangî (video), Rikskonserter tour for 8 different places in Sweden 2000 îA Million Voicesî (net art), Gothenburg, Sweden 1997 Fylkingen (video + installation), Stockholm 1993 Fylkingen (lobby exhibition), Stockholm 1992 Avanti (multimedia performance - concept and installation),
Kalmar, Sweden 1991 Alka 7 dagars Art Festival (multimedia performance - concept
and installation), Linkˆping, Sweden GRANTS MEMBERSHIPS e-mail: mash@epsilon.telenordia.se
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Title: Trapped http://user.tninet.se/~tnf015i/trapped Synopsis: The whole site of Trapped is largely based on direct quotations by serial killers. Serial killers are, whether we like it or not, part of our daily life. If the phenomenon of serial killing itself is not new, then certainly our awareness of its existence is. In fact serial killers have become one of the determining factors of the 20th century and it appears to continue to be so into the 21st century. It is my hope that Trapped should serve as a mirror that reflects our own responses to the enigma of the human psyche and to cast a light over the complexity of such issues as death penalty, etc. that our society faces. The site is composed of my own image materials and sampled materials from other sites on the Internet. Texts and citations are taken from Internet Crime Archives. The pictures of serial killers and victims are sampled from various associated sites on the Internet. The blending of my own images with images of others is a method specifically chosen for this site to recreate the reality that we are all entwined in human society - the very subject of Trapped.
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Scott Sona Snibbe Biography: Scott Sona Snibbe explores direct physical perception
and expression in electronic media. His experiments probe the boundary
between the body and its effects on the world and question the nature
of the self as distinct from ones environment. His interactive works
include screen-based software, handmade physical devices and full-scale
installations. He works as a media artist in San Francisco and has
held professional research and engineering positions at Interval
Research, Adobe Systems and Brown University. His artwork has been
widely shown internationally at such venues including The Tokyo
InterCommunications Center, SIGGRAPH, Ars Electronica; the Stuttgart,
Hiroshima and Ottawa Animation Festivals, and the San Francisco
and Seattle film festivals. e-mail: scott@snibbe.com
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Title: It's Out http://www.snibbe.com/scott/itsout/ www.snibbe.com
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| Sergei Teterin
Biography: Sergei Teterin - Russian new media artist and writer. Lives in Moscow e-mail: teterin@pisem.net
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Title: ALL MEDIA ARTISTS GO TO HEAVEN http://www.teterin.raid.ru/elysium/ Synopsis: Russian \"media art manifesto\", 2001. |
| Sérgio Pelágio
Biography: e-mail: escritorio@estacao01.com |
Title: Estação(The Station) http://www.estacao01.com Synopsis: Estação (\"The Station\") is a space (www.estacao01.com) for showing projects made for the internet as a result of a collaboration between ProduÁies Real Pel·gio (SÈrgio Pel·gio: co-creation and editing) and several artists invited to develop an ideia for this format. The ideia is to learn and experiment in an informal way with these tools and to use the internet as a new and powerfull media for any artist. Nobody involved as any special background in computer programing. New projects are developed at a regular basis (whenever there is some free time...)
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Simon Biggs Biography: artist since 1976. Working with computers since 1978. Current practice involves interactive installations, net based projects and other media. e-mail: simon@littlepig.org.uk
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Title: Babel http://www.babel.uk.net/ Synopsis: A 3D multiuser space using the Dewey Decimal Numbering system as a metaphor and navigational aid for the net. All the users see what the other users see as the system calculates all the users varying 3D views of the navigable 3D data-space and then broadcasts them out to all those logged into the system. The work is a metaphor for the density and chaos that is our contemporary data-space. |
| Slampoetrypictures
Biography: slampoetrypictures is a collaborative project by jimpunk ro27 and sim e-mail: slampoetrypictures@jimpunk.com
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Title: slampoetrypictures http://www.slampoetrypictures.de/ Synopsis: SlamPoetryPictures
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| Sonya Rapoport
e-mail: rapop@socrates.berkeley.edu
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Title: Redeeming the Gene, Molding the Golem, Folding the Protein Synopsis: \"Redeeming the Gene, Molding the Golem, Folding the Protein.\" is a mythic parody in which creating life by current genetic engineering techniques is challenged by creating, according to the ancient Hebraic ritual of Kabbalah, an artificial anthropoid, the golem. \"Redeeming the Gene, Molding the Golem, Folding the Protein\" is an artwork in three folds: First, the Genetic Fold, in which an alternative gene is created to replace the artist\'s gene that transgenic artist Eduardo Kac invented in his transgenic artwork, \"Genesis.\" The synthetic gene was created by transposing into Morse\'s binary code, a biblical sentence from the King James translation of the Bible. A second fold is the Gender Fold in which the maligned amalgam, Lilith, Adam\'s first wife, and Eve, are redeemed by using DNA sequences derived from an ancient cloning vector strategy to create the moral kabbalah gene, an alternative to Eduardo Kac\'s tainted artist\'s gene.
The third fold, is the Biblical Fold, from which the biblical sentence. \"Let man have dominion over the fish of the sea and over the fowl of the air and over every living thing that moves upon the earth.\" is transposed into DNA base pairs. |
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Stanza Biography: Stanza works in internet art,multimedia, electronic
music and painting. Most of his work can be viewed from www.stanza.co.uk.
Stanza studied at Goldsmiths and Central Saint Martins in London.
Projects include subvergence, which subverts and fragments the notion
of our old browser. Instead we have full screen desktop takeover.
Transportron which includes generative audio and image environments
built into three d spaces. \'The Central City\', is an audio visual,
interactive, internet art experience, all made for the internet.
The city becomes an organic network of grids and diagrams, juxtaposing
urban sounds and sights. \'Amorphoscapes\', is a whole site dedicated
to new digital interactive paintings by stanza. A number of these
interactive online net artworks have been exhibited internationally
and have won net art specific awards, including cynet art 2000 in
Germany. The interac! e-mail: stanza@sublime.net
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Title 1: amorphoscapes Synopsis: Amorphoscapes by Stanza are interactive, Amorphoscapes, provide a seductive, As well as providing this non linearity, Amorphoscapes are audio visual paintings, Most of these works have extensive mouse control. These pieces are all quite small in file size Amorphoscapes have been reviewed on ITV All the works are online and as such
Title 2: the central city by stanza Synopsis: "The Central City".
NEW version 3.... INTRODUCTION The Central City is an audio visual, interactive, These areas are: In some areas city cells mutate and grow move The "city" began as series of open ended experiments The central city moves away from these "linear" pieces My idea was to develop analogies for the organic identity
Title 3: Subvergence Synopsis: Subvergence. by stanza The internet has become the the leading economic INTRODUCTION NAVIGATE CONFUSE HISTORY PROJECT PLANS... to move it to a new url,
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Szabolcs KissPal
Membership: 1997 Association of Young Hungarian Artists 1997 National Society of Hungarian Artists 1991 MAMŰ Society 1992-93 Lecturer at the Academy of Visual Arts Cluj (R)
Solo exhibitions: Selected participations: 2001 Klima-Kunsthalle Budapest / Context
- 49. Venice Biennial Romanian Pavillon (IT) / The unique way of
reading - Artpool Gallery Budapest / Stuttgarter Filmwinter Stuttgart
(DE) / 2000 - Unplugged - Marosv·s·rhely / „Mimi...”–
TrafÛ Contemporary Art House Budapest/ Alapzaj 7 - Duna?jv·ros
(HU) / Kurskurrektur-Qualitatsicherung (with G. Winter) - Staadtbucherei
+ IFA Stuttgart / Solitude in Museum (K. Sander) – Staatsgalerie
Stuttgart, Musee d`Art Moderne de Saint Etienne / Medzi International
Media Festival - Skalica (SK) / 2000 Intermedia/Inventions/Innovations
- Kunsthalle Budapest / \'New Topics\' Kunstverein Neuhausen - Stuttgart
1999 Toot Festival HTBA Hull (GB) / Break 21 International Festival
of Young Independent Artists - Ljubljana (SLO), Perspective - Kunsthalle
Budapest (HU) 1998 Inter/Media/Art – Ernst Museum /Budapest,
Aritmia - ICA, Dunaujv·ros 1997 Drug - BartÛk 32 Gallery
Budapest 1993 Ex Orie! Screenings: Maison EuropÈenne de la Photographie- Paris, TRANSMEDIA 2000 - Toronto (CAN), Trampoline 2000 - Nottingham (UK), L\'imagine leggera IV. - Palermo (IT), CJC Paris (F), EMAF ‘99 - Osnabr¸ck (DE), Champ Libre - Montreal (CAN), Hull Screen (UK). e-mail: kspal@intermedia.c3.hu,
kspal@aramszu.net |
Title: moebius http://www.intermedia.c3.hu/~kspal/mobiusa.htm Synopsis: Though our opinions becomes part of a larger contextual relationship, the main question remains whether a non-linear type of criticism can exist while historically it is based on the models of scientifical (logically structured) linear discourses. The following hypertext pretends to be the mobius of the structure in so far as the syntactical linearity is carried by the means of references (links), and the sequentiality by an analog logical row (the alphabetical order).
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Tamara Lao Biography: Video director (Prix ARCANAL, Paris 1992), Tamara Lao turns in 1993 to the numeric techniques (computer graphics & animations, CD-ROMS). Since 1997, her researches centre on Web art : sites, performances chat_and_cam, videoconferenceÖ, and quite particularly the creation of collective spaces in network: 11 sites realized with the cooperation of more than 150 international artists. Her works were a part of official selections of festivals and international events in Belgium, France, Holland, Germany, Swiss, Italy, Spain, Portugal, Poland, Hungary, Canada, Hong-Kong. New York. portail : war 2001 ex post factum 2001 Áa c\'est joli ! 2001 enchain me @ 2001 Contre la peur 2000
Artel noir 2000 Baratta 1999 Symbolic Voyage 1997
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Title: EX POST FACTUM http://expostfactum.be.tf/ Synopsis: Music, Images, Poetry, Philosophy, Transdisciplinarity Tamara LaÔ has realized this project (still in progress) in collaboration with Emanuel Dimas de Melo Pimenta (P), Fast Forward, Bruce gremo, Tom Hamilton, Peter Zummo (USA) : composers of contemporary electronical music, and of Joseph Brenner (CH), poet and philosopher, and with Maria Bonomi (BR), painter.
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| Teo Spiller
Biography: Not Submitted e-mail: teo@teo-spiller.org
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Title: poem2 http://www.teo-spiller.org/ Synopsis: In this project, visitor writes his own poem; by pressing one of buttons, it results, the poem is converted in one of three forms, typical for the structure of Internet: 1) every word is written as a link to the meaning of it (Websters
dictionary) |
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| WOWM.org
Biography: WOWM.org members are visual, multimedia and net artists: e-mail: wowm@wowm.org
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Title: Wrapping Our Warped Minds http://wowm.org Synopsis: Wrapping Our Warped Minds is an online experiment performed
by the members of the WOWM.org group. It is based on direct communication
with the online audience from ordinary chat rooms; presenting them
(at one person at the time) specific art projects with intention
to explore \'\'healing\'\' through art. Wowm.org is committed to
assisting the e-lonely audience in gentle awakening through art
with software created We expect the audience/participants to experience this happening
at many levels (engaging the diversity of Minskian \'\'agents\'\'
in their minds): |
| Zé dos Bois (cultural organization)
Biography: e-mail: zedosbois@ip.pt
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Title: Transfer http://www.zedosbois.org/transfer Synopsis: Transfer assume-se como uma agencia de importação
legal de cidadãos interessados em formas de vida alternativas.
Através de um questionário um cidadão"o
interessado em imigrar para Portugal, pode ter o seu primeiro contacto
com a realidade portuguesa. A acção central passa-se
no Martim Moniz, o centro multicultural de Lisboa, onde se simula
e especula de forma lúdica sobre situações
trágicas, ilegais e processuais do processo da imigração.
Está também disponível informação
útil sobre todos os passos legais do processo de legalização
de imigrantes, em Portugal. |
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